ODDA issue 4 Spring/Summer 2013 - Preview FW 13-14
£13.00 / On Sale
Since we launched our first issue just over a year ago, we have had the privilege of working with wonderfully talented, passionate and creative people. People who believed in our concept from the start and made the ideas a reality, earning our highest admiration and respect.
The 4th Issue of ODDA is a genuine reverence to this industry, a memorial
The thread of issue 4 is for this season’s Spring/Summer 13, refers to the contrast between chic and easy to wear. Blacks and exotic colours.
Travelling far.. Paris, NYC, Milan, London, LA and Madrid, to bring to you our special features segments which we have developed with the impeccable style of Prada or Jean Paul Gaultier Haute Couture.
We have captured from the House of Acne, the wearable and conceptual pieces from the Spring/Summer 13’ men’s collection and Pre-Fall 13’ to the memorable music box whirl of the 60’s soundtracks
The fashion world never stops, it is in a constant spin. The fashion for Fall/ Winter 2013-14 will show it’s natural evolution.
For Fashion Weeks in NYC, Milan and Paris we have introduced two segments:
Castings and backstage: our male models continue keeping it fresh and fun, making those experiences unique.
As for the shows: dedicated to the women’s perspective. Their presence and elegance. The sets, and the way that everything is a vision to behold
Our trend panels beautifully encapsulate the best of the next season after these months of shows and the trends you may keep in mind
Let us not forget the fabulous portraits in this issue to three designers, illustrated by the magnificent super star that is Ignasi Monreal.
Issue 4 is designed for fashion lovers and all those who have taken part in the evolution of ODDA.
Five different covers:
·Hanaa Ben Abdesslem in Balmain by Baldovino Barani
·Jean Paul Gaulter Haute Couture by Nicolas Valois
·Linus Gustin in Givenchy by Omar Macchiavelli & Artwork Amadeo Orellana
·Benjamin Eidem by Arnaldo Anaya-Lucca
·Diana Farkhullina in Prada by Juan Martin
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